Memory is not a fixed record, but a living sequence of images—shadows, fragments, imperfect copies, and blurs that shape and reshape our sense of self. Through shifting iconography, memory becomes a visual language: its inconsistencies and transformations are communicated through symbolic forms that mirror both the movement of people and the elusive nature of recollection. As memories gather, disperse, and overlap, they create a body of imagery that is as dynamic and complex as lived experience itself.

Through iconography, I construct a body and visual allegory of recollection—unconventional layering of rectangles and bird silhouettes fluttering across fields of color become symbols that communicate the fragmentation and persistence of memory.